Sara Rahbar, Separation (Confessions), 2015, Bronze and collected object, Right hand: 42 x 4 x 4 inches, 107 x 10 x 11 cm, Left hand: 40 x 4 x 4 inches, 101 x 10 x 11 cm

Aleksandra Waliszewska, Untitled, 2016, Mixed media on cardboard, 9 7/8 x 13 3/4 inches, 25 x 35 cm

Ivana Bašić, I too had thousands of blinking cilia, while my belly, new and made for the ground was being reborn | Position III, #1, 2020, Wax, bronze, breath, blown glass, oil paint, stainless steel, pressure, 50 x 12 x 16 inches, 127 x 30.5 x 40.6 cm

Mira Schor, Breast and Egg, 1990, Oil on 10 linen canvases, 16 x 20 inches each, 40.6 x 50.8 cm each, 80 × 40 inches total, 203.2 x 101.6 cm total

Mira Schor, Breast and Egg, 1990 (detail)

Dan Herschlein, The Covering, 2020, Wood, plaster, pigmented joint compound, milk paint, wax, graphite, color pencil, string, 30 x 38 inches, 76.2 x 96.5 cm

Dan Herschlein, The Covering 2020 (detail)

Gina Pane, Psyché (Essai), 24 janvier 1974, 1974, Portfolio consisting of twenty-four black and white vintage photos on board, contained in original blue cloth box, 7 7/8 x 11 5/8 inches each, 29.5 x 20 cm each, Edition of 10/80

Gina Pane, Psyché (Essai), 24 janvier 1974, 1974

Ridley Howard, Neck Kiss #2, Orange Landscape, 2020, Oil on linen, 9 x 12 inches, 22.9 x 30.5 cm

Jessie Makinson, Skin Spy, 2020, Oil and pigment on canvas, 82 5/8 x 78 3/4 inches, 210 x 200 cm

Jessie Makinson, Skin Spy, 2020 (detail)

Bhasha Chakrabarti & Chiffon Thomas, Parrhesia, 2016-2020, Black pigment, paint, chalk pastels, bible, books, semi-rigid plastic, polyurethane foam, plaster of Paris, India ink, Dimensions variable

Bhasha Chakrabarti & Chiffon Thomas, Parrhesia, 2016-2020 (alternate view)

Chiffon Thomas, Lacerated Faith, 2020, Black pigment, paint, chalk pastels, bible books, semi-rigid plastic, polyurethane foam, 17 x 9 x 12 inches, 43.2 x 22.9 x 30.5 cm

Faith Wilding, Untitled (the parents), 1990, Watercolor and ink on paper, 87 x 57 inches, 221 x 144.8 cm

Elia Alba, Ivan (Study #3), 2019, Photo transfer over fabric, thread, glitter, zipper, polyester-fill, and wire, 7 x 9 x 9 inches, 17.8 x 22.9 x 22.9 cm

Elia Alba, Ivan (Study #3), 2019 (alternate view)

Elia Alba, Br'er and G, 2020, Photo transfers on fabric, acrylic, zipper, polyester-fill, and wire, 11 x 6 x 5 inches, 27.9 x 15.2 x 12.7 cm

Jenna Gribbon, Public Display of Affection, 2020, Oil on linen, 14 x 11 inches, 35.6 x 27.9 cm

Aaron Gilbert, Love Eternal, 2020, Pastel and gouache on paper, 20 x 24 inches, 50.8 x 61 cm

Rosa Loy, Versuch (Attempt), 2000, Casein on canvas, 49 5/8 x 41 3/8 inches, 126 x 105 cm

Polly Borland, Morph 27, 2018, Archival pigment print, 36 1/4 x 30 3/4 inches, 91.9 x 78 cm, Edition 1 of 6 + 3 APs

Farley Aguilar, The Purge, 2020, Oil and pencil on linen, 67 x 80 inches, 170.2 x 203.2 cm

Phumelele Tshabalala, The One who honors the Golden hand in light of his journey of becoming, 2020, Oil, acrylic, and woodblock on canvas, 60 x 36 inches, 152.4 x 91.4 cm

Lise Stoufflet, Létreinte (The Embrace), 2020, Oil on canvas, 21 1/4 x 27 1/2 inches, 54 x 70 cm

Aneta Grzeszykowska, Love Book #15 (Ana Mendieta), 2010, Collage, pigment ink on cotton paper, 19 3/4 x 19 3/4 inches, 50 x 50 cm

Gavin Kenyon, A Scar is not a Wound, 2020, Basalt fiber reinforced CSA cement, mineral silicate paints, faux fur, cast iron and steel, 78 x 120 inches, 198.1 x 304.8 cm

Gavin Kenyon, A Scar is not a Wound, 2020 (alternate view)

Gavin Kenyon, A Scar is not a Wound, 2020 (detail)